Art Deco 1925-1940 …. Looking to the Future.

Radio with art deco streamlined styling.

The predominant motif in Art Deco design was the appearance of “Speed”. Streamlined sweeping curves based on aerodynamic principles – a symbol of forward movement.

The pessimism – some critics considered it decadence – that pervaded society at the end of the 19th century was replaced with a sense of optimism and excitement. People looked ahead to the new century witnessing the industrial progress that was giving them hope for an economic and social revival.

The term “Art Deco” derived from the1925 Paris L’Exposition Internationale des Arts Decoratifs et Industriels Modernes. The purpose of the exhibition was to “unite art with industry”. The concept was to embody the ideas of this modern age with a complete break from the past. The work of designers was not to imitate earlier historical periods. They could, however, draw on ancient designs for inspiration, as long as the artisans adapted the designs in the modern style.

Gathering from diverse sources, we see motifs from Mayan and Aztec cultures; Egyptian themes that coincided with the discovery and worldwide interest in King Tut’s tomb, and interest in the striking patterns and colors inherent in African and Japanese art.

Walnut art deco dining table

The cost of fine handcrafted objects was out of the reach of many. Exotic woods, and other expensive materials made this new design form available only to the very wealthy. A need was created for production of machine-made objects in quantity, cost-efficient, modern looking and affordable to all; items that were not only functional, but beautiful in their simplicity.

Streamlined designs were applied to cars, trains, ships, and objects whose purpose was certainly not forward movement. Buildings, gas pumps, refrigerators, vacuum cleaners, radios and gramophones, kitchen utensils, toasters, ceramics, pottery and glassware, clocks and wall sconces, and other everyday items all displayed this new form of design. Striking geometric patterns, bold and contrasting use of color, symmetry, lack of frills and of anything faintly romantic defined the style.

Art Deco concepts permeated all things in the 1920s and 1930s – architecture, fine art, cinema, graphics and advertising posters, and in fashion design for both men and women.

Bakelite and other new synthetic materials were particularly well-suited to the mass production of Art Deco jewelry. Now anyone regardless of their social position could afford the trendy and decorative pieces that were now available to all.

Sleek-looking metals, stainless steel, aluminum and chrome appeared in even the most common household items. The cocktail shaker became the symbol of fashionable sophistication in many middle-class homes. If you enjoy the “Thin Man” movies or any movie from the 1930’s, spot the cocktail service that was always present as part of the set decoration.

Walk into a home department at Macy’s, and you will most likely see a display of Fiesta Ware. Still popular with its simple, streamlined forms in brilliant colors, it was introduced by the Homer Laughlin China Co. of West Virginia in 1936.The line was noted for its Art Deco styling which featured concentric circles and a variety of bright colors and shapes. It was discontinued in 1972 due to changing tastes in dinnerware styles, but was reintroduced in 1984 with new glazes and colors. Popular again, Fiesta Ware is considered to be the most collected brand of china in the United States.

An organization devoted to the preservation of Art Deco in all its forms is the Art Deco Society of Los Angeles. They are sponsoring a festival aboard the Queen Mary in Long Beach, California from August 18-20. It will be a weekend of total immersion in the Art Deco era. They are also planning their annual Avalon Ball in January in the Casino on Catalina Island. The Catalina Casino on Avalon Bay, built in 1929, is a remarkable example of Art Deco design. Information and many interesting articles on preservation as well as other topics and events can be found on their website.

The theme of the 1933 Chicago World’s Fair – “A Century of Progress” sums up the underlying ideas of the period known as Art Deco:  Science Finds, Industry Applies, Man Adapts.

Art Deco survived into the early 1940’s when it evolved to mid-century modernism.

One of the most interesting assignments I’ve had was to appraise a large collection of Art Deco period furniture and posters for insurance purposes.   Identifying the exotic veneers was educational.

Sources

Definitive Guide to the Decorative Arts of the 1920s and 1930s. Alastair Duncan.

Harry N. Abrams New York, 2009.

Art Deco 1910-1939. Charlotte Benton, Tim Benton, Ghislaine Wood, Editors

V & A Publications. London, 2003. (Victoria and Albert Museum)

Art Deco Society of Los Angeles. www.adsla.org

Art Deco. Young Mi Kim. Friedman/Fairfax. Architecture and Design Library

Art Nouveau and Art Deco Jewelry. Lillian Baker. Collector Books Paducah, Kentucky, 1981.

Websites

History of Art Deco. Bryan Mawr College. www. brynmawr.edu

Art Deco. The Art Story – Modern Art Insight. www.theartstory.org

Art Deco. Wikipedia.

Art Deco perfume bottle

Art Nouveau – Masters of Ornament

During the years 1890 to the beginning of the First World War, Art Nouveau, or the “new art” movement encompassed graphic arts, interior design, architecture, the use of technology and new scientific discoveries, as well as many of the decorative arts including textiles, jewelry, silver, ceramics and glassware, tile, ironwork, lighting, and the fine arts. It was considered a “total art style”, more of a movement than a style, which promoted the philosophy that art should be a way of life. In the words of William Morris, “Have nothing in your house that you do not know to be useful, or believe to be beautiful.” It was rooted in the Arts and Crafts movement of the mid to late 19th century which called for a closer union between the fine and decorative arts and away from the academic styles of the overly fussy and conservative Victorian tastes of the time.

Designs were inspired by all things in nature, employing flowers, vines, and other flora and fauna. Intertwining curvilinear forms, asymmetrical and dynamic, flowing one into another, always striving for harmony. It was described in 1894 as “sudden, violent curves generated by the crack of a whip “. Through exhibitions in Europe and the U.S. in the late 19th-early 20th century, Japanese woodblock prints became popular and were an important influence in Art Nouveau designs with their many references to the world of nature.

Art Nouveau designs have a distinctive appearance, instantly recognizable.  The artisans of the Arts and Crafts movement frowned upon the use of the machine as an aid in creating their art forms. Their ideal was to create a more humane and just society through their artistic endeavors. The artists of this “new style” enthusiastically adopted new materials and new technology in developing innovative, imaginative, and fanciful designs, particularly in jewelry, glass, and the new medium of cast iron, which was artistically utilized in architectural interiors and exteriors. It was truly “art for art’s sake” and beauty, grace, and harmony were the desired results.

In the United States, Art Nouveau is often referred to as “Tiffany style”, although there were several other well-known and highly regarded American design studios. Louis Comfort Tiffany (1848-1933) and his studio were most famous for their lamps. He experimented with the processes of coloring glass, and in 1894 patented favrile glass, which used metallic oxides to color the interior of molten glass giving it an iridescent effect. Among Tiffany’s most notable designs was the dragonfly. Gossamer-winged dragonflies, mysterious and ethereal, are admired in many cultures. They are a symbol of agility and purity because they are always found hovering and darting about near water. To the Chinese, they symbolize harmony and prosperity. Dragonfly lampshades became one of the Studio’s most popular designs, and were produced in many colors and styles. The most valuable and most highly prized by collectors have a matching base inset with mosaic glass. Tiffany lamps can be worth anywhere from 4000 to several hundred thousand dollars.

On June 6th, 2017, Sotheby’s will feature the estate of Carol Ferranti: Masterworks by Tiffany Studios.  On June 16th, James D. Julia, Inc. will be featuring lighting from Tiffany studios in their upcoming auction of Rare Lamps, Glass, and Jewelry. Among other designs, a dragonfly lamp and a remarkable wisteria leaded-glass window will be highlights.  Another resource, Liveauctioneers, is an excellent free website to view realized prices from various auction houses.

In my travels last year, I was fortunate to go to the Art Nouveau and Art Deco Museum in Salamanca, Spain.  Among their collections are wonderful examples of glass by Loetz, Galle’, Daum and Lalique.

The ideal of this movement can be summed up in the words of Christopher Dresser, a botanist, and a strong influence on American Art Nouveau design: “…nothing is too mundane to be transformed into a thing of beauty”  if it was from nature.

REFERENCES

 American Art Nouveau. Diane Chalmers Johnson.  Harry N. Abrams Inc., NY 1979

The Art of Louis Comfort Tiffany.  Donald L. Stover. The Fine Arts Museums of San Francisco 1981

Louis Comfort Tiffany.  Alastair Duncan. Harry N Abrams, Inc. NY 1992

Art Nouveau and Art Deco Jewelry: An Identification and Value Guide. Lillian Baker

 Essentials of Art History. George M. Cohen, PhD.  Research and Education Association

INTERNET RESEARCH

Art Design and Visual Thinking

Antique Reporter

Nature and Art Nouveau

The Aesthetic Movement

Art Nouveau – Wikipedia

Caring For Cut Glass

The American Cut Glass Association has a very informative website.   In addition to membership information there are tips on identifying cut glass, dating and patterns.

There are several free articles from past issues of their journal “The Hobstar”.  Among them are two articles by Vickie Matthews.

The Care and Cleaning of Cut Glass” has tips on handling, washing and displaying.  Since I’m located in an area prone to earthquakes, I especially like the suggestion of using a neutral wax or gel product sold at antique shops, hardware stores or on-line.   These products can be removed without harming the glass or signatures.

Packing and Shipping of Cut Glass” has tips on wrapping, boxing and using various shipping services.  Many of these tips can be used for transportation of glass, china or collectibles in general.

One of the best places to view cut glass in Southern California is the Historical Glass Museum in Redlands.   They have an entire room dedicated to American Cut Glass.  Located in a Victorian house, they have many other types of American made glass; the largest collection West of the Mississippi.  Check their website for upcoming lectures.

STRENGTH OF THE CALIFORNIA ART MARKET

Artfix Daily ran a good article titled “Four Reasons Why Historic Art Remains Important To The California Market” written by the editorial staff at William A. Karges Fine Art.

The major points discussed regarding Early California paintings (1870-1940) are:

  1. Traditional art is self-sustaining
  2. It preserves our (California) history
  3. Historical art preserves our environment
  4. The market is strong

To read the full article, see the following link at Art Fix Daily:

Strength of the California Art Market

 

FBI Warns Dealers, Collectors About Terrorist Loot

On Aug. 26th the following announcement was made:

The FBI is alerting art collectors and dealers to be particularly careful trading Near Eastern antiquities, warning that artifacts plundered by terrorist organizations such as ISIL are entering the marketplace.

“We now have credible reports that U.S. persons have been offered cultural property that appears to have been removed from Syria and Iraq recently,” said Bonnie Magness-Gardiner, manager of the FBI’s Art Theft Program.

The Bureau is asking U.S. art and antiquities market leaders to spread the word that preventing illegally obtained artifacts from reaching the market helps stem the transfer of funds to terrorists.

In a single-page document titled ISIL Antiquities Trafficking, the FBI asks leaders in the field to disseminate the following message:

  • Please be cautious when purchasing items from this region. Keep in mind that antiquities from Iraq remain subject to Office of Foreign Assets Control sanctions under the Iraq Stabilization and Insurgency Sanctions Regulations (31 CFR part 576).
  • Purchasing an object looted and/or sold by the Islamic State may provide financial support to a terrorist organization and could be prosecuted under 18 USC 233A.
  • Robust due diligence is necessary when purchasing any Syrian or Iraqi antiquities or other cultural property in the U.S. or when purchasing elsewhere using U.S. funds.

In February, the United Nations Security Council unanimously passed Resolution 2199, which obligates member states to take steps to prevent terrorist groups in Iraq and Syria from receiving donations and from benefiting from trade in oil, antiquities, and hostages.

Before purchasing an item from suspected areas, ask questions and verify:

  • Which country did this come from?
  • Do you have the proper paperwork?
  • What is the provenance or history of the object’s ownership?

Check stolen object databases.  Proceed with caution.  For the full article and links to important resources:  ISIL and Antiquities Trafficking

Collecting the Olympics

The fanfare, emotion and sports competition of the 2012 Olympics has passed.  Many collectors have found a way to extend the excitement year round by collecting Olympic memorabilia.  

You can start out inexpensively by collecting pins, coins, stamps and mascots from recent years.   Some collectors progress to a higher, more expensive level including medals and torches.  There’s something for every interest and budget.  To narrow down the choices begin collecting by category, year, country or sport.     

I have a modest Olympic collection of my own, and display many items in my office.  It started off when I worked at the 1984 Olympics in Los Angeles.   I was stationed at the USC Olympic Village where I was able to trade pins with the athletes and collect small souvenirs.  Over the years, I have added items from other olympics to my collection.  However, I realized that the pins I collected directly from the athletes in Los Angeles mean the most to me because of their personal connection.     

As an appraiser, one of the most exciting opportunities I’ve had was to appraise a silver award medal owned by an olympic athlete.   It was an insurance appraisal and it gave me the opportunity to examine the sales comparison approach (what similar items have sold for) versus the cost to reproduce the medal.   

If you still want a unique souvenir from the London Olympics, you can purchase something at the Official London 2012 Auction website.   They are auctioning off everything from game used equipment, to ceremony props and torches to help defer the cost of putting on the games.   

 

Appraiser of Olympics Memorabilia in California
Appraiser of Olympics Memorabilia in California

 

RESOURCES

Official website of the Olympic Movement

Olympic Collectibles and Collecting Olympic Memorabilia

Ingrid O’Neil Sports & Olympic Memorabilia

Olympin  – Olympic Collectors Club

Olympic Games Memorabilia and Collectibles

Top 10 Most Expensive Items of Olympic Memorabilia

 

 

Royal Oak Foundation lectures

 

The Royal Oak Foundation has scheduled a Spring lecture series of interest to appraisers, historians and Anglophiles in several cities throughout the U.S.  Some of the lecture titles include:

Westminster Abbey: A Place for Royal Celebration

“A Great Number of Useful Books”: The Country House Library

Resurrecting the English Country House

“Glorious Goodwood”: A House of Ducal Splendour

“A Work to Wonder At”: Stowe House and the American Revolution

Lectures are scheduled in the following cities:

Atlanta Boston & Ipswich Chicago Los Angeles Memphis New Orleans New York City Philadelphia San Diego San Francisco & Woodside Washington DC

For those not familiar with the foundation:

The Royal Oak Foundation engages Americans in the work of the National Trust of England, Wales and Northern Ireland ………  In the United States, Royal Oak offers a wide range of member programs and activities focused on the National Trust, British art and architecture, fine & decorative arts, gardens, history, as well as conservation and historic preservation.

For more details, brochure, cost and reservations, please visit The Royal Oak Foundation.

Sesquicentennial Renews Interest in Civil War Collectibles

Civil War Sesquicentenial

The 150th Anniversary of the American Civil War takes place this year and continues until 2015.  There are many state and local activities scheduled to commemorate this historical event.

Appraisers need to be aware of special events such as this, and how they will affect the values for related items.   This multi-year anniversary of such an important historical event is expected to have an increase on values for Civil War artifacts and collectibles, at least temporarily.  Buyers and appraisers should also be aware that civil war artifacts are frequently faked.

More information on the planned events is available at the following websites:

Civil War Trust  http://www.civilwar.org/150th-anniversary/

Smithsonian Institution http://www.civilwar150.si.edu/

The National Archives http://www.archives.gov/exhibits/civil-war/

The National Civil War Museum

 

Top 10: Ten of the biggest auction sales of historic U.S. Civil War memorabilia

(source: Wikicollecting)